Cheers, Abbot Elementary, and Reservation Dogs are all great, but differently (duh)
THe cold open is deeply important to the pilot of a show, obviously, because it’s the first thing the viewer sees. It introduces them to the world, the main character, and the tone of the show. It also gives the viewer a sense of the show’s sense of humor (if it has one). Hopeully it hooks the viewer.
Here are a few examples of pilot cold opens I love.
First let’s go old school and talk Cheers. Top 5 comedy pilots of all time, maybe top 3.
Immediately we’re in a familiar situation (a bar- I mean, familiar to me at least; I’ve spent a lot of time in places like that, and you’ve been there once or twice, come on). We learn that the guy who opens the bar, who’s clearly a bartender and probably more, takes meticulous care of the place (adjusts a picture, checks inside the coffee cup for dust) (also, that a bartender is concerned about a bar’s coffee cups tells us more about the bar). He’s charming and funny, and kind, even with a kid who is clearly trying to buy beer underage. He won’t let the kid get away with it, but he also disappoints him fairly gently. Also this guy is a bit of a looker!
Whoever that actor is might have a fairly successful television career.
So we’re in the world of this bar, which is not a dive, but a place treated with care and concern. We know this bartender is the show’s main character (what about Diane? Coach? Carla? Norm? Cliff? Frasier? Harry the Hat? That other lady? Yeah, more on all that later.).
There are a couple of good jokes (“That’s what they say, war is gross.”).
And finally, even though this scene is unrelated to the story of the episode, which doesn’t start til the next scene, there is a warmth to the whole exchange (even though it ends in disappointment) that establishes the tone of the show. The bartender is kind. He’s friendly, a caretaker. Which of course is then reinforced by one of the all-time great theme songs (remember the good old days, when theme songs would tell us how these seven people were deserted on this desert island, and what each of them was like? I mean, you say “millionaire” or “movie star” or “professor” and we instantly get everything about that character.
A little more up to date: how about Abbot Elementary? Once again we’re in a familiar situation (a school classroom- I mean, familiar to me at least, I’ve spent a lot of time there, and even if you didn’t teach junior high school in New York City for six years, you get it) (unless you were home-schooled).
We find out a lot about this one teacher and her struggles. She’s the star of the show. Her struggles involve the student body- what the kids are like, the details she has to deal with constantly. We also learn about one of the big themes of the show- the contrast between the school having no money, and the city paying for a new football stadium.
This one has the advantage of being a mockumentary, so Janine can speak directly to the camera about who she is, what she’s doing there, who else is there… I consider mockumentary a cheat code for exposition, and also for comedy (so much comedy can be mined just from the way things are edited- as evidenced by going back and forth between Janine counting and Janine talking to the camera). So you have to decide, when you’re writing, whether it’s worth cheating or not. Do you want to win?
World, star, great jokes, tone- again, all established immediately. And the great punchline of the whole cold open, which catapults us into the A story of the episode (we arguably see a glimpse of the B story when one of the other newer teachers is having severe difficulty in her classroom).
I think Cheers is an all-time classic (wow, hot take). I think Abbot Elementary is a great, well-written, tightly constructed show (so impressive to have such outside-the-lines opinions).
I fucking love Reservation Dogs. The whole show, I mean. All three seasons. But let’s talk about the cold open.
We hear a radio tuning in, then hear an announcer, who tells us we are in “Indian Territory, Oklahoma.” This world is NOT immediately familiar to most of us, or maybe just not to me, so it’s trickier to introduce.
Some establishing shots of what looks like a fairly rundown, poor community. Not a lot going on. The announcer uses a word that sounds like “Weet-ja!” I presume that is Native American slang or dialect (though so far I have been unable to find anything in Google). He also uses the term “snaggin’ days,” then talks about shape-shifting, then ends with another word that sounds like slang or dialect. This is consistent throughout the series- we are in a world where people don’t talk the way I am used to.
One kid (we learn he is Bear) gets out of bed, establishing time of day and who the star of the show is, and then Ron Asheton’s guitar starts to ring out; the cold open becomes a heist movie.
Boom. We’re less than a minute into the episode, and we’re right in the middle of the A story. Four kids stealing a snack truck.
We learn a little about the four kids, and get some great jokes (Bear telling Elora Dana to put her seatbelt on while they steal a car- TRUCK!, the visual of the truck dragging the metal ramp, Willie Jack texting with her Mom during the robbery.) We see some more of the world, the reservation they live on, and meet an antagonist who we immediately learn a little about (he’s a cop and a conspiracy theorist), and then we also see how despite their bickering, Bear and Elora Dana have a very secure friendship (“Skoden!” “Stoodis!” - more slang, but that’s easier to understand, I’m already starting to get it) all in the space of almost exactly two minutes.
World, star, supporting cast, enemy, tone, jokes. Expertly and expeditiously.
So anyway, what’s your favorite cold open ever? Or least favorite? Or just a real good one? Let me know in the comments.