UPCOMING CLASSES IN 2026:
1) WRITE YOUR SITCOM PILOT!!!
Six-Week Sitcom Pilot Writing Class — $450
Write your own original sitcom pilot from concept to completion. Six two-hour live sessions, individualized feedback, and a one-on-one 30-minute meeting at the end to discuss your draft. Includes personal feedback throughout. LIMITED TO 10 STUDENTS.
Upgrade Option: Add written notes on your finished pilot for +$175.
Session 1- Thursdays 6-8 PM PACIFIC TIME April 30, May 7, 14, 21, 28, June 4 plus 1-1 June 18
Session 2- Saturdays 12-2 PM PACIFIC TIME May 2, 9, 16, 23, 30, June 6 plus 1-1 June 20.
2) THE WRITERS’ ROOM!!!
Four-Week Small-Group Workshop- $325
The Writers’ Room is an advanced four-week workshop for writers who already have a first draft and want to take it to the next level. Six writers, three hours a week, real writers’ room energy. Each week, we’ll look at a specific aspect of rewriting YOUR script— such as dialogue, characters, jokes, story (lots to cover). And we’ll get help from the whole room on each script individually. It’s collaborative, supportive, and fun — and you’ll walk away with a sharper, stronger pilot. LIMITED TO 6 STUDENTS. NB: First draft script must be submitted at leaast one week prior to first session.
Sundays 11 AM-2 PM PACIFIC TIME May 17, 24, 31, June 7
All classes meet live on Zoom. Class size is intentionally limited to ensure everyone receives personalized attention and has space to participate meaningfully.
You’ll receive all Zoom links, class materials, and instructions at least 48 hours before the first session. Because each week builds on the last, regular attendance is essential—and helps the whole group get the most out of the experience.
If you need to cancel, a partial refund is available before the first class session. After Week 1, tuition becomes non-refundable due to the limited number of seats.
We aim to create a respectful, supportive, and creatively safe environment for everyone. Writers of all backgrounds and experience levels are welcome, unless a class specifies prerequisites.
“This class made me a better writer. This class helped me get a job writing for television.”
“A great class that will teach you the ins and outs of breaking a story, and will give you a lot of tools to help you as a professional writer. Sean’s patient, hilarious, and very smart— you’ll leave his class knowing more and well on your way to a good spec script too if you put in the work. Take this class, it will help. Also, free soda!”
“Years of teaching and performing improv undoubtedly transfer over to Sean’s ability to drive story, keep it structured, all while keeping the writers in the room laughing their asses off. He brings a great energy to a room, and keeps it on track.”
“(Sean) effortlessly provides the space for your vision and words to find the most dynamic, interesting structure for your story. My background is playwriting but Sean helped demystify the often painstaking process of creating the most succinct, funny, compelling story collage. I have also leaned on Sean for help with pitches and that has been some of the most valuable time I’ve spent in this town. In fact, I sold a comedy pilot to Showtime largely because of Sean’s expert guidance and his famous ‘golden notes’”
“I’ve been in several writers rooms with Sean Conroy. He is that magical mix of a writer who can adeptly identify story or character problems in a script and masterfully fix them, while also being one of the funniest people in any room. If I could have taken a class with Sean and partaken of his intuition and wisdom when I started it would have put me years ahead of other beginners.”
“Taking Sean’s class was probably the best thing I’ve ever done for my career. Seriously. I went from being a funny guy who was solid at writing jokes to being a funny guy who is now able to write a complete TV script. The techniques that I learned from him gave me the skills and confidence to take my ideas to the next level and make money as a writer. He is THE G.O.A.T. ”
“What makes Sean such a great comic comes from years of performing, but what makes him such a great writer comes from also having such an in depth understanding of story structure. In the writer’s room, Sean knows how to make a joke that’s not only funny, but also works to serve a story. Also, Sean taught me what the word ‘guffaw’ means.”